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Notes From The Underground

by David Kollar

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  • Compact Disc (CD) + Digital Album

    Artwork by Dušan Očkovič
    Graphic by Jaris

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  • Full Digital Discography

    Get all 48 David Kollar releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Behind The Frozen Window / Za zamrznutým oknom, Kollar/Cox/Truffaz/Raineri LIVE, Neznámy strach (music from the motion picture), Echoes of Hopeful Melancholy, Where are they...? (EP_3/3), The Pills (EP_2/3), Requiem for Uncle (EP_1/3), La Monte Young Comp. #9, and 40 more. , and , .

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    Cover art by Dusan Ockovic

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Predestined 02:24
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Underground 05:44
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KOMA 04:56
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about

2017 Hevhetia records
"I began work on this album in Autumn 2016. It started with experimentation of sounds from a modular synthetsizer, then I added the guitars and Paolo Ranieri added the trumpets. Some of his riffs I also processed through the synthesizer and each day a song was formed. I used a minimum guitars.

Work on this album was influenced by the diagnosis of my good friend Lukas Halicky, just 34 years old, father of 3 kids with a brain tumour.
Things spiralled downward, as I trusted in a positive result of treatment for my friend and I wanted to help. All this influenced the atmosphere of the songs. This album is a story, like Dostoevsky's notes from the underground. That book fell off its shelf when I thought about the title of this album and its conception. In these circumstances, the painting
from Dušan Očkovič summarised my thoughts (see the album cover). A smoking man deep in thought wearing a striped jumper. I see there Jesus who doesn't want to look me in the eye.
But, as long as the cigarette burns, there is always hope.

credits

released June 30, 2017

David Kollar - guitars, modular synth, processing, Iphone app
Paolo Raineri - trumpets, effects
Hevhetia records 30. Jun 2017

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David Kollar Prešovský kraj, Slovakia

Kollar treats his music with a deep degree of seriousness and personal involvement, as if each and every one of his projects was not only his proverbial brain child but as if it was his actual offspring. He treats his instrument as a gateway between his complex ideas and their audible representation, the same way a sculptor treats the chisel or a painter the brush."
- ADAM BARUCH
... more

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